<?xml version="1.0" encoding="UTF-8"?>
<record xmlns="http://www.loc.gov/MARC21/slim">
  <leader>01180cam a2200265 a 4500</leader>
  <controlfield tag="001">newtendencyinart00poor</controlfield>
  <controlfield tag="003">CaSfIA</controlfield>
  <controlfield tag="005">20241005225857.0</controlfield>
  <controlfield tag="006">m     o  d</controlfield>
  <controlfield tag="007">cr||||||||||||</controlfield>
  <controlfield tag="008">781103s1913    nyu     o           eng d</controlfield>
  <datafield tag="035" ind1=" " ind2=" ">
    <subfield code="a">(OCoLC)1049905490</subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">otu</subfield>
    <subfield code="b">eng</subfield>
    <subfield code="d">CaOTV</subfield>
    <subfield code="d">CaSfIA</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
    <subfield code="a">Poore, Henry Rankin,</subfield>
    <subfield code="d">1859-1940</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="4">
    <subfield code="a">The new tendency in art :</subfield>
    <subfield code="b">post impressionism, cubism, futurism /</subfield>
    <subfield code="c">by Henry R. Poole.</subfield>
  </datafield>
  <datafield tag="260" ind1="0" ind2="0">
    <subfield code="a">Garden City, N.Y.,</subfield>
    <subfield code="b">Doubleday, Page &amp; Company,</subfield>
    <subfield code="c">1913.</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">1 online resource (ix, 60 pages :</subfield>
    <subfield code="b">illustrations)</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Green paper boards; green cloth spine; cream label printed in red.  Cream pictorial dust jacket printed in black.</subfield>
  </datafield>
  <datafield tag="504" ind1=" " ind2=" ">
    <subfield code="a">Includes bibliographical references.</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
    <subfield code="a">Introduction -- I. Later Tendencies -- Post impressionism -- Matise and Picasso -- II. Futurism -- The final development -- III. Conclusion.</subfield>
  </datafield>
  <datafield tag="590" ind1=" " ind2=" ">
    <subfield code="a">Victoria University LIbrary copy has dust jacket with "2nd large printing" on spine.</subfield>
  </datafield>
  <datafield tag="596" ind1=" " ind2=" ">
    <subfield code="a">35 52</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="0">
    <subfield code="a">Post-impressionism (Art)</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="0">
    <subfield code="a">Cubism</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="0">
    <subfield code="a">Futurism (Art)</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
    <subfield code="u">https://archive.org/details/newtendencyinart00poor</subfield>
    <subfield code="z">Free eBook from the Internet Archive</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
    <subfield code="u">https://openlibrary.org/books/OL24365883M</subfield>
    <subfield code="z">Additional information and access via Open Library</subfield>
  </datafield>
  <datafield tag="955" ind1=" " ind2=" ">
    <subfield code="q">newtendencyinart00poor</subfield>
    <subfield code="b">ark:/13960/t4jm31n1m</subfield>
  </datafield>
</record>
