14659cam a2200877 a 4500 ocm39123969 OCoLC 20191109071318.1 980504s1998 ilu 001 0 eng 98007889 DLC eng DLC UBA MUQ BAKER YDXCP OCLCQ BTCTA OCLCG UAB IXA OCLCQ BDX OCLCF CGN JYJ OCLCQ OCLCO OCL OCLCQ I8M OCLCQ CSJ OCLCQ KSU ERR OCLCQ AU@ OCLCQ OL$ 1069380596 0226450732 (alk. paper) 9780226450735 (alk. paper) 0226450740 (pbk. ; alk. paper) 9780226450742 (pbk. ; alk. paper) AU@ 000013891701 NZ1 4323579 YDXCP 1498949 YDXCP 1514316 (OCoLC)39123969 (OCoLC)1069380596 PN49 .M478 1998 801/.93 21 MAIN Modernism : an anthology of sources and documents / edited by Vassiliki Kolocotroni, Jane Goldman, and Olga Taxidou. Chicago : University of Chicago Press, 1998. xx, 632 pages ; 26 cm text txt rdacontent unmediated n rdamedia volume nc rdacarrier Includes index. From letter to Ruge, September 1843 / Karl Marx -- From The communist manifesto 1848 / Karl Marx and Friedrich Engels -- From 'Art and revolution' 1849 / Richard Wilhelm Wagner -- From The origin of species by means of natural selection 1859 / Charles Darwin -- From Mother right 1861 / Johann Jakob Bachofen -- From preface to Human, all too human 1878 / Friedrich Nietzsche -- From Degeneration 1883 / Max Nordau -- From 'Useful work versus useless toil' 1884 / William Morris -- From The secret doctrine 1888 / H.P.B. (Helena Petrova Blavatsky) -- From The golden bough 1890-1915 / J.G. Frazer -- From The crowd: a study of the popular mind 1895 / Gustave Le Bon -- From The theory of the leisure class 1899 / Thorstein Veblen -- From The education of Henry Adams 1907 / Henry Adams -- From The interpretation of dreams 1900 / Sigmund Freud -- From 'The metropolis and mental life' 1903 / Georg Simmel -- From Woman under socialism 1904 / August Bebel -- From The souls of black folk 1903 / W.E.B. Du Bois -- From Creative evolution 1907 / Henri Bergson -- From Abstraction and empathy 1908 / Wilhelm Worringer -- From 'Ornament and crime' 1908 / Adolf Loos -- 'The good conduct medal' 1909 / Karl Kraus -- From 'Women's suffrage' 1911 / Millicent Garret Fawcett -- From The Freud journal of Lou Andreas-Salomé 1912, 1913 / Lou Andreas-Salomé -- From The decline of the west 1918-22 / Oswald Spengler. From review of Nathaniel Hawthorne's Twice-told tales 1842 / Edgar Allan Poe -- From preface to Leaves of grass 1855 / Walt Whitman -- From letter to Mlle Leroyer de Chantepie, 18 March 1857 / Gustave Flaubert -- From 'On the modern element in literature' 1857 / Matthew Arnold -- From 'The painter of modern life' 1859-60 / Charles Baudelaire -- From letter to Paul Demeny, 15 May 1871 / Arthur Rimbaud -- From Lectures on art 1870 ; From Arartra Pentelici 1872 / John Ruskin -- From conclusion to The renaissance (1873) 1893 / Walter Pater -- From preface to Miss Julie 1888 / August Stringberg -- Preface to The picture of Dorian Gray 1890 / Oscar Wilde -- 'The science of fiction' 1891 / Thomas Hardy -- From 'Crisis in poetry' 1886-95 / Stéphane Mallarmé -- From 'Introduction to the method of Leonardo da Vinci' 1895 / Paul Valéry -- 'Prelimary address at the first performance of Ubu Roi, 10 December 1896' / Alfred Jarry -- From preface to The nigger of the 'Narcissus' 1897 / Joseph Conrad -- From The symbolist movement in literature 1899 / Arthur Symons -- From 'The symbolism of poetry' 1900 / W.B. Yeats -- From 'Days of reading: I' 1905 / Marcel Proust -- From 'Henrik Ibsen: philosopher or poet' 1905 / William Archer -- From 'The art of fiction' 1894 ; From preface to The Princess Casamassima 1906 / Henry James -- From 'The actor and the Über-marionette' 1907 / Edward Gordon Craig -- From My life 1927 / Isadora Duncan -- From The sanity of art 1908 / George Bernard Shaw. From Realist manifesto 1855 / Gustave Courbet -- From 'Naturalism on the stage' 1880 / Émile Zola -- 'The post-impressionists' 1910 / Desmond MacCarthy -- From 'Romaniticism and classicism' 1911 / T.E. Hulme -- From The man-made world or our androcentric culture 1911 / Charlotte Perkins Gilman -- 'The French group' 1912 / Roger Fry -- 'The English group' 1912 / Clive Bell -- 'Light' 1912 ; 'Notes on the construction of the reality of pure painting' 1912 / Robert Delaunay -- 'The musician's day' 1913 ; 'Some notes on modern music' 1919 / Erik Satie -- From 'The cubist room ' 1914 / Wyndham Lewis -- From 'In these great times' 1914 / Karl Kraus -- From 'Zurich 1916, as it really was' 1928 / Richard Huelsenbeck -- 'Art and the war: concerning an allied exhibition' 1916 ; Programme for Parade, 18 May 1917 / Guillaume Apollinaire -- 'Marinetti the revolutionary' 1916 ; 'Theatre and cinema' 1921 / Antonio Gramsci -- From 'Art as technique' 1917 / Victor Shklovsky -- From Ten days that shook the world 1919 / John Reed -- 'A member of the audience: storming the Winter Palace' 1920 -- From The theory of the novel 1920 / Georg Lukács -- From Literature and revolution 1923 / LeonTrotsky -- From 'Make way for the winged Eros' 1923 / Alexandra Kollontai -- From 'A Kino-eyed discussion' 1924 / Dziga Vertov -- 'Suburbs' 1923 / Luis Buñuel -- From 'The reconstruction of the theatre' 1929 / Vsevolod Meyerhold -- From 'Basic principles of sociological drama' 1929 / Erwin Piscator. Futurism. 'The founding and manifesto of futurism 1909' ; 'The variety theatre; 1913 / Filippo Tommaso Marinetti -- 'Why we paint ourselves: a futurist manifesto' 1913 / Ilya Zdanevich and Mikhail Larionov -- 'Feiminist manifesto' 1914 / Mina Loy -- Cubism. From The cubist painter 1913 / Guillaume Apollinaire -- Imagism. Preface to Some imagist poets 1915 -- Expressionism. From 'The problem of form' 1912 / Wassily Kandinsky -- Dada. From 'Dada manifesto, 1918' ; 'Note on art' 1917 ; 'Note on Negro art' 1917 / Tristan Tzara -- From Merz 1921 ; From 'Consistent poetry' 1924 ; 'To all the theatres of the world' 1926 / Kurt Schwitters -- From 'Art is in danger' 1925 / George Grosz with Wieland Hezfelde -- Vorticism. From Blast 1914 -- Eccentricism. The eccentric manifesto 1922 -- Constructivism. From Constructivism 1922 / Aleksei Gan -- 'Constructivism and the proletariat' 1922 / László Moholy-Nagy -- Bauhaus. 'Manifesto of the Bauhaus, April 1919' / Walter Gropius -- From 'Economic living' 1924 / Annelise Fleischmann -- 'The new typography; 1923 / László Moholy-Nagy -- Diary extract 1927 / Oscar Schlemmer -- Manifesto issued by the Syndicate of technical workers, painters and sculptors, Mexico City, 1922 -- LEF manifesto 1923 -- Surrealism. From The first manifesto of surrealism 1924 / André Breton -- Transition. 'Suggestions for a new magic' 1927 ; 'Proclamation' 1929 / Eugene Jolas -- Anarchism. From The ABC of anarchism 1929 / Alexander Berkman. From 'England's nest of singing birds' 1915 / (Margaret) Storm Jameson -- From 'On impressionism' 1914 / Ford Madox Ford -- From 'I am.' 1915 / Dora Marsden -- From 'Notes on sensationism' 1916 / Fernando Pessoa -- From 'Against American literature ' 1916 / John Dos Passos -- From 'Anima hominis' 1917 / W.B. Yeats -- From preface to Tendencies in modernist poetry 1917 / Amy Lowell -- From prologue to Kora in hell 1918 / William Calos Williams -- From a review of Pilgrimage 1918 / May Sinclair -- From 'What is modern?' 1918 / Edwin Muir -- From 'The poetry of C.P. Cavafy' 1919 / E.M. Forster -- From reviews for the Athenaeum 1919 ; From letters to John Middleton Murry 1919 / Katherine Mansfield -- From Diaries 1918, 1919, 1920 / Thomas Mann -- From 'Tradition and the individual talent' 1919 ; From 'Ulysses, order, and myth' 1923 / T.S. Eliot -- From 'A retrospect' 1918 ; From preface to Rémy de Gourmont's The natural philosophy of love 1926 / Ezra Pound -- From 'Notes on thought and vision' 1919 / H.D. (Hilda Doolittle) -- From 'Warsaw' 1922 / Alfred Döblin -- 'Recent German poetry' 1922 / Herman Hesse -- 'The moment: summer's night' 1927 ; From 'Mr. Bennett and Mrs. Brown' 1924 ; From 'Modern fiction' 1919 / Virginia Woolf -- Letter to Harriet Shaw Weaver, 15 August 1925 / James Joyce -- From 'The influence of Mr. James Joyce' 1921 / Richard Aldington -- From 'Ulysses: ein monolog' 1932 / Carl Jung -- From James Joyce and the making of 'Ulysses' 1934 / Frank Budgen -- Letter to A.W. McLeod, 2 June 1914 ; From letter to Edward Garnett, 5 June 1914 ; From preface to the American edition of New poems 1929 / D.H. Lawrence -- From introduction to The new Negro 1925 / Alain Locke -- From 'The Negro artist and the racial mountain' 1926 / Langston Hughes -- From 'Composition as explanation' 1926 / Gertrude Stein -- From 'English ascendancy in British literature' 1931 / Hugh MacDiarmid -- 'New poetry since 1912' 1926 / Marianne Moore -- From Modernist poetry 1926 / Robert Graves and Laura (Riding) Jackson -- From 'Echoes of the Jazz age' 1931 / F. Scott Fitzgerald -- From Being Geniuses together 1920-1930 1938 / Robert McAlmon -- 'A litter to Mr. James Joyce' 1929 / Vladimir Dixon -- From 'Dante ... Bruno . Vico . . Joyce' 1929 ; From Proust 1931 / Samuel Beckett. From 'The mass ornament' 1927 / Siegfried Kracauer -- From 'The state of contemporary social philosophy and the tasks of an institute for social research' 1931 / Max Horkheimer -- From 'The modern theatre is the epic theatre' 1930 / Bertolt Brecht -- 'Theater and cruelty' 1933 / Antonin Artaud -- From 'The dissection of the psychical personality' 1933 / Sigmund Freud -- 'Some notes on violence' 1932 ; 'Some notes on Miss L.' 1933 / Nathanael West -- From The word 'woman' 1934-35 / Laura (Riding) Jackson -- Foreword to Pilgrimage 1938 / Dorothy M. Richardson -- From A hope for poetry 1934 / Cecil Day Lewis -- From The use of poetry and the use of criticism 1933 / T.S. Eliot -- From 'Prefatio aut cimicium tumulus' 1933 / Ezra Pound -- From New bearings in English poetry 1932 / F.R. Leavis -- Review of Leavis et al. 1933 ; From introduction to The poet's tongue 1935 / W.H. Auden -- From introduction to The Oxford book of modern verse 1892-1935 1936 / W.B. Yeats -- From introduction to The Faber book of modern verse 1936 / Michael Roberts -- From 'The irrational element in poetry' 1936 / Wallace Stevens -- From The strange death of liberal England 1935 / George Dangerfield -- From speech at the first all-union congress of Soviet writers 1934 / Andrei Zhdanov -- From 'What is revolutionary art?' 1935 / Herbert Read -- 'All art is propanganda' 1935 / Eric Gill -- From 'The writers take sides' 1935 / Christina Stead -- 'Note', A Scots quair 1932-34 / Lewis Grassic Gibbon -- From 'Lewis Grassic Gibbon' 1935-36 / James Barke -- 'Scotland a nation' 1935-36 / Neil M. Gunn -- From 'Recent problems of revolutonary literature' 1935 / William Phillips and Philip Rahv -- 'The writer as technician' 1935 / John Dos Passos -- From 'Left?' 1933-34 / John Cornford -- From 'A dialectic approach to film form' 1929 / Sergei Eisensein -- From 'Documents' 1937 / Storm Jameson -- From speech inaugurating the 'Great exhibition of German art', Munich 1937 / Adolf Hitler -- From 'Surrealism: the last snapshot of the European intelligentsia' 1929 ; From 'The work of art in the age of mechanical reproduction' 1936 / Walter Benjamin -- From letter to Walter Benjamin, 18 March 1936 ; From 'On the fetish character in music and the regression of listening' 1938 / Theodor Adorno -- From 'Realism in the balance ' 1938 / Georg Lukács -- From The principle of hope 1938-47 / Ernst Bloch -- From 'Letter from the front line in Spain' 1938 / David Alfaro Siqueiros -- 'Manifesto: towards a free revolutionary art' 1938 / André Breton, Leon Trotsky and Diego Rivera -- From 'Inquiry into the spirit and language of the night' 1938 / Eugene Jolas et al. -- From 'Inside the whale' 1933 / George Orwell -- From 'The leaning tower' 1940 / Virginia Woolf -- From 'How "Bigger" was born' 1940 / Richard Wright. Publisher description: From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950. Includes bibliographical references and index. Internet Archive - 2 Internet Archive 2 Literature Philosophy. Modernism (Literature) Modernism (Art) Modernism (Aesthetics) Intellectual life History 20th century. Art, Modern 20th century. Art, Modern 19th century. Aesthetics. History Philosophy. Littérature Philosophie. Esthétique. Histoire Philosophie. Aesthetics. fast (OCoLC)fst00798702 Art, Modern. fast (OCoLC)fst00816615 History Philosophy. fast (OCoLC)fst00958266 Intellectual life. fast (OCoLC)fst00975769 Literature Philosophy. fast (OCoLC)fst01000005 Modernism (Aesthetics) fast (OCoLC)fst01024439 Modernism (Art) fast (OCoLC)fst01024442 Modernism (Literature) fast (OCoLC)fst01024455 MODERNISMO (LITERATURA) larpcal 1800-1999 fast History. fast (OCoLC)fst01411628 Kolocotroni, Vassiliki. Goldman, Jane, 1960- Taxidou, Olga. Table of contents http://catdir.loc.gov/catdir/toc/uchi052/98007889.html Book review (H-Net) http://www.h-net.org/review/hrev-a0b4x1-aa Publisher description http://catdir.loc.gov/catdir/description/uchi052/98007889.html Baker & Taylor BKTY 40.00 40.00 0226450740 0003171731 active Brodart BROD 53610237 $42.50 Baker and Taylor BTCP 98007889 YBP Library Services YANK 1514316 92 ERR 31927000639945